Yet another shot of the alpha with the mic on the breathpipe
Friday, December 31, 2010
Friday, December 24, 2010
Eigenharp Alpha with DPA Microphone
The DPA Microphone is a great addition to the Alpha. It plugs in just beside the breathpipe and includes a mount on a new breath pipe mouthpiece which the mic can clip to.
It is an electret mic for which the Alpha provides the polarizing voltage (the voltage levels can be selected either by belcanto or by the control keys as can the various controls such as vol, pan, effect send, etc)
It is an electret mic for which the Alpha provides the polarizing voltage (the voltage levels can be selected either by belcanto or by the control keys as can the various controls such as vol, pan, effect send, etc)
Friday, November 26, 2010
Winter Studio
The Alpha and Pico with all their friends.
Click on the picture to see this in Flickr with notes!
Click on the picture to see this in Flickr with notes!
Saturday, August 14, 2010
Canadian Distributor
There is now a distributor in Ottawa, Canada
http://www.crystal-harp.com/default.aspx
http://www.crystal-harp.com/default.aspx
Tuesday, August 3, 2010
Root Lights Chromatic
NEOLOGIC (http://twitter.com/neologicjapan) shared some belcanto to light up the root notes on split 1, Alpha factory 3, set to chromatic. It can be found here: NEOLOGIC Blog.
This can be turned into a script for easy use. See the details on scripts at the Eigenlabs WIKI here: http://eigenlabs.com/wiki/Belcanto_Scripts/.
And here it is as a script (you can cut and past this into textedit and store / use it as described at the link above)
description
Script by NEOLOGIC to light led root notes on keygroup1, chromatic scale
script
gain create
it to light gain name ify
talker create
it to light talker name ify
kgroup 1 output 41 to light talker connect
kgroup 1 output 42 to light talker connect
kgroup 1 output 63 to light talker connect
kgroup 1 output 64 to light talker connect
kgroup 1 output 65 to light talker connect
kgroup 1 output 85 to light talker connect
kgroup 1 output 86 to light talker connect
kgroup 1 output 87 to light talker connect
kgroup 1 output 88 to light talker connect
kgroup 1 output 107 to light talker connect
kgroup 1 output 108 to light talker connect
kgroup 1 output 109 to light talker connect
kgroup 1 output 110 to light talker connect
light talker listen
light gain listen
volume to 0 when 13 set
volume to 0 when 31 set
volume to 0 when 43 set
volume to 0 when 49 set
volume to 0 when 61 set
volume to 0 when 79 set
volume to 0 when 97 set
volume to 0 when 115 set
This can be turned into a script for easy use. See the details on scripts at the Eigenlabs WIKI here: http://eigenlabs.com/wiki/Belcanto_Scripts/.
And here it is as a script (you can cut and past this into textedit and store / use it as described at the link above)
description
Script by NEOLOGIC to light led root notes on keygroup1, chromatic scale
script
gain create
it to light gain name ify
talker create
it to light talker name ify
kgroup 1 output 41 to light talker connect
kgroup 1 output 42 to light talker connect
kgroup 1 output 63 to light talker connect
kgroup 1 output 64 to light talker connect
kgroup 1 output 65 to light talker connect
kgroup 1 output 85 to light talker connect
kgroup 1 output 86 to light talker connect
kgroup 1 output 87 to light talker connect
kgroup 1 output 88 to light talker connect
kgroup 1 output 107 to light talker connect
kgroup 1 output 108 to light talker connect
kgroup 1 output 109 to light talker connect
kgroup 1 output 110 to light talker connect
light talker listen
light gain listen
volume to 0 when 13 set
volume to 0 when 31 set
volume to 0 when 43 set
volume to 0 when 49 set
volume to 0 when 61 set
volume to 0 when 79 set
volume to 0 when 97 set
volume to 0 when 115 set
Thursday, July 29, 2010
Sampling rate hint
I noticed that the cello model was aliasing at higher pitches (hey, it IS a cello, and this is above its proper range). Anyway, increasing the sampling rate to 96K helped substantially.
Sunday, July 18, 2010
Tritone Substitution
So, here is a tritone substitution showing C7 to F#7. These chords share two notes.
You may want to read this: Wikipedia, Tritone Substitution
The fingering charts shown here work for improvisation between these two chords.
One could also start the F# chord at 7 (ie in the centre course) and the C chord at '5 to get more even a spread of notes around both roots. In fact, that would probably be a better approach.
I've probably missed a few of the blue notes as well but you get the idea. Corrections or additions are welcome
You may want to read this: Wikipedia, Tritone Substitution
The fingering charts shown here work for improvisation between these two chords.
One could also start the F# chord at 7 (ie in the centre course) and the C chord at '5 to get more even a spread of notes around both roots. In fact, that would probably be a better approach.
I've probably missed a few of the blue notes as well but you get the idea. Corrections or additions are welcome
Subscribe to:
Posts (Atom)
